News

LO is on the move… literally!

LOUISVILLE ORCHESTRA OFFICES MOVING TO
CUSTOM-BUILT SPACE IN HISTORIC 
“MEYER BUILDING”
624 WEST MAIN STREET
in DOWNTOWN LOUISVILLE

 A Temporary Ticket Office Will Be Set Up at The Glassworks Building to Service Patrons and Subscribers while Orchestra Staff Works Remotely During the Renovation  

Graham Parker, Interim Executive Director, announced today the relocation of The Louisville Orchestra’s administrative offices from 620 West Main Street to 624 West Main Street. In partnership with orchestra supporter and local real estate developer Mo Deljoo (NULU Marketplace), the company will occupy three floors of the historic building. Tyler Smith of CORE Real Estate represented the Landlord, Mr. Deljoo and made the LO aware of this wonderful opportunity. Known as “The Meyer Building,” the structure was designed and built by the famed Louisville architect Charles D. Meyer and is part of the corridor of buildings from 6th to 9th Street that are on the National Register of Historic Buildings. Currently under renovation, the custom-built space will include 9000 square feet of office and meeting space that includes a state-of-the-art music library. The Orchestra plans to open the new office in October 2022. 

Parker explains, “We are thrilled for this opportunity to create a new home for our extraordinary staff, and an environment welcoming to our community partners and supporters. This amazing new administrative home allows us to remain visible on Main Street in Downtown Louisville as well as close to our main performance venue at the Kentucky Center.”  

The orchestra is leaving its current office space at 620 West Main Street on June 14th. “We will be a bit nomadic for the summer,” continues Parker. “But rest assured, the orchestra staff will continue to work remotely to bring you the excellent concerts and community experiences the Louisville community has come to expect. We look forward to an incredible 2022/23 season and we appreciate the public’s patience during this transition.” 

 A temporary ticket office opens on Wednesday, June 15 at The Glassworks Building, located at 815 West Market Street. Office hours are Monday through Friday; 9am to 5pm. Subscription tickets are on sale for the 2022-23 Season and the July 2 performance of Star Wars: Return of the Jedi. The LO ticket office can be reached at 502-587-8681. The LO thanks Board member Mariah Gratz for the generous donation of this space. 

The Orchestra staff phone numbers will be automatically routed to appropriate personnel working remotely. USPS mail will be forwarded, of course. Additionally, the Louisville Orchestra has set up a temporary USPS mailing address for all correspondence beginning June 14: 

The Louisville Orchestra
9462 Brownsboro Rd, PMB #343
Louisville, KY 40241  

“We look forward to welcoming the public into our new home this Fall,” says Parker. “It’s such an extraordinary time for our organization as we begin work on exciting new initiatives including the inaugural Creators Corps residency and our two-year statewide tour.” 

2022-23 SEASON ANNOUNCEMENT

A VIDEO MESSAGE FROM TEDDY ABRAMS

LOUISVILLE ORCHESTRA ANNOUNCES 2022-23 SEASON CONCERTS NOW ON SALE
Highlights include world premiere works by the new Creators Corps, Beethoven’s Fifth, and a performance by Broadway star KELLI O’HARA

(Louisville KY… Apr 19, 2022)  Now in its ninth season under the dynamic and inspiring leadership of Music Director Teddy Abrams, the Louisville Orchestra is proud to announce a season of creativity in 2022-23.  Highlights of the season include new works by composers from the newly launched Creators Corps, the eighth annual Festival of American Music featuring works by the American cultural hero Leonard Bernstein, premieres and commissioned works by important voices of today’s composers including the 2021 Grawemeyer Award-winning composer Olga Neuwirth, acclaimed composers Joel Thompson, Thomas Adés, Mason Bates and Christopher Cerrone. Teddy Abrams performs as pianist and conductor for Ludwig van Beethoven’s Fifth Piano Concerto in a program where he also conducts Beethoven’s Fifth Symphony, plus performances by Avery Fisher Career Grant winner TESSA LARK and a long-awaited return to the stage of the momentous Symphony No. 7 by Anton Bruckner will engage the classical music lovers of Louisville. Headlining the Pops Series is Grammy Award-winning Broadway and Hollywood star KELLI O’HARA. Principal Pops Conductor Bob Bernhardt has lined up a season packed with entertainment including vintage films with some of the finest music scores are on display; the exceptional voice of CAPATHIA JENKINS in “Aretha: A Tribute,” and the Emmy-Award winning vocal group THE TEXAS TENORS who have amassed a huge fan base worldwide.

5 Different Concert Series

Each year the Louisville Orchestra plays a wide array of public, education, and outreach performances. With more than 100 performances annually by the orchestra or its ensembles, the LO is central to life in Louisville. We announce programs and dates for five different concert series for the 2022-23 Season that are currently available for sale with discounted multi-concert subscription packages available to the public. Complete programming and descriptions of individual concerts are available at www.LouisvilleOrchestra.org.

CLASSICS SERIESA 9-concert series created by Music Director Teddy Abrams, the Classics Series presents an inspiring slate of exceptional music featuring the annual FESTIVAL OF AMERICAN MUSIC, a concert with Teddy at the piano performing Beethoven’s “Emperor” Concerto plus conducting Beethoven’s Fifth, and the massive grand finale of the Symphony No. 7 by Anton Bruckner – a piece that’s been missing from our programs for over 20 years. The newly launched Creators Corps will have new works premiered at concerts starting in January 2023. The Creators Corps is a unique residency program that brings three composers to live and work in Louisville as a way to enhance our thriving creative community with music that is made in our city for our citizens. Acclaimed guest performers on the Classics Series include violinist TESSA LARK, LO’s own principal horn JON GUSTELY, piano virtuosos TIMO ANDRES and SEBASTIAN CHANG, rising star violinist ALEXI KENNEY, and baritone DASHON BURTON. 9-concert packages from $207. 5-concert packages from $130. That’s $26 per concert!

POPS SERIES – Six concert series under the direction of Principal Pops Conductor Bob Bernhardt. Opening with a performance by KELLI O’HARA, and featuring a tribute concert to Aretha Franklin, our traditional Holiday Pops, a look back at the music of the 80s, and closing with the massively entertaining TEXAS TENORS. 6-concert packages from $156.

COFFEE SERIES – Six-concert matinee series offering a sampling of the music from the Classics Series. Concerts are presented on Fridays at 11AM at the Kentucky Center. 6-concert packages from $108.

FAMILY SERIES — Three-concert series presented at Old Forester’s Paristown Hall (NEW location). Programs are centered on storytelling and music to entertain and educate children ages 4 to 12 years. Affordable and fun! 3-concerts for $42 (adult) and $27 (child)

NIGHTLITES at the Ogle – Four-concert series presented at the Ogle Center at Indiana University Southeast in New Albany. Popular classical music prices at $90 for all 4 events.

LINK TO VIEW OUR 2022-23 SEASON and SUBSCRIPTION OPTIONS

READ MORE FROM LOUISVILLE PUBLIC MEDIA

Statewide Touring Funded by $4.3M Appropriation

Louisville Orchestra Announces Annual Statewide Touring Program Funded by $4.3M Appropriation from KY General Assembly

(Louisville, KY…March 31, 2022) The Louisville Orchestra (LO) is pleased to announce that it will receive a $4.3M appropriation from the Kentucky General Assembly to resume an annual statewide touring program. This appropriation is an unprecedented commitment from the state, allowing the orchestra to visit every region of the Commonwealth of Kentucky over two years, beginning in 2023.

Including multiple tours by the full Louisville Orchestra, as well as strategic engagement of local ensembles and artists across the next two concert seasons, the statewide project will launch a new era of deep community partnerships reflecting the character and interests of each town on the tour. The engagements, unlike anything conceived of previously, will carry the LO’s dedication to building creative communities beyond its hometown by presenting performances, sharing music-making, and celebrating artistic partnerships in cities and towns across Kentucky. Participation in all touring activities, including tickets to all performances, will be free.

By working with arts and civic leaders to develop multiple community-based activities, partnering with local musicians and creators, and bringing entire communities together with full orchestra concerts, the LO hopes to soften the rigid lines of urban-rural division that have hindered mutual support and understanding between citizens of Kentucky.

The budget passed with bipartisan support through both the House and the Senate on Wednesday, March 30, and the LO will begin the planning phase of the touring program immediately. Single performances in nearby towns will launch the initiative beginning in fall 2022, while full touring activities will begin in 2023. The LO’s tour management team will use the next 12 months to deepen relationships across the state to understand where LO partnerships can have the most impact.

Working with State Legislative Leadership

The Louisville Orchestra Commonwealth tour would not have been possible without the support given by House and Senate Leadership in Frankfort, Kentucky. House Speaker David Osborne (R-District 59), Senate President Robert Stivers (R-District 25), Senate Majority Leader Damon Thayer (R-District 17) and Budget Conference Chair Senator Julie Raque Adams (R-District 36) were all immediate and passionate champions of the initiative, seeing it as essential to a vibrant and thriving community and to continuing the task of bridging the urban-rural divide in Kentucky.

House Speaker David Osborne stated: “Our investment provides a unique opportunity to bring the incredible music of the Louisville Orchestra to communities throughout the state while honoring the talent in each region. I look forward to seeing this series become reality.”

Senator Julie Raque Adams says: “Music has always been an integral piece of Kentucky’s cultural heritage. Teddy’s vision to engage students through collaboration and performances in unique venues across our Commonwealth provides a well-timed opportunity to celebrate what unites us—our love and appreciation for great Kentucky music!”

Teddy Abrams, Music Director, named Musical America’s “Conductor of the Year” for 2022, is the visionary behind the touring initiative, which he hopes will bring inspiration to and foster connection between the people of Kentucky. He explains:

“This is a moment to reforge the human relationships that unite our communities and to celebrate our commonalities; music is perhaps the greatest tool for overcoming differences in backgrounds and demographics. Kentucky is famous around the world for its outsize contributions to music in so many genres—from bluegrass to rock, rap, and (of course) orchestral music—and so we developed the idea of taking the Louisville Orchestra throughout the Commonwealth, from the smallest communities to larger cities, to collaborate and share music-making with our fellow Kentuckians living in every part of the state.

“I’ve grown to deeply love both my adopted hometown of Louisville and the beautiful Commonwealth beyond; I am proud to call myself a Kentuckian, and at the Orchestra we’ve made it our mission to do right by this beautiful state and its exceptional people. We can’t wait to get on the road and make music across the state! The Orchestra and I are incredibly grateful to the Kentucky General Assembly and our legislative leaders for believing in this vision and making this project possible. This is indeed a historic day for music in the Commonwealth and for your Louisville Orchestra.”

Graham Parker, Interim Executive Director has made the LO Commonwealth tour a top priority since assuming his post a few short months ago. Parker says: “The Louisville Orchestra demonstrates meaningful artistic and community leadership by making a commitment to the entire Commonwealth of Kentucky to bring people together through music. Our vision has been to create bridges across an urban-rural divide and to serve audiences who are often overlooked, bringing them the distinctive and celebrated artistry of Teddy Abrams and the LO. This is the right way for a modern American orchestra to engage with communities locally and regionally.”

Lee Kirkwood, Chairman of the Louisville Orchestra Board of Directors sees strong potential in the business and community relationships that will develop as the LO’s impact extends past Louisville. Kirkwood says: “The board of directors, staff, and musicians of the Louisville Orchestra extend sincere appreciation to the leaders in the Kentucky House and Senate for the confidence this appropriation shows in our ability to bring people together through music. Forging connections that unify and creating relationships across boundaries will improve the lives of everyone from business leaders to schoolchildren.”

About the Louisville Orchestra Touring Initiative

Louisville Orchestra as a Resource for the Commonwealth

The Commonwealth of Kentucky presents a rich landscape of history, community, industry, and ecology, with extraordinary depth of both innovation and tradition. Despite numerous successes across the state, there is little doubt that many regions feel left out or underserved in receiving access to arts and culture programming. Additionally, the reality of rural areas being left behind by investment focused on urban areas has created an urban-rural divide, with those living outside the Louisville Metro looking toward the city with frustration.

The Louisville Orchestra firmly believes that beyond the primary human essentials like employment, housing, and healthcare, a truly healthy and unified community needs the arts to provide it with cohesion and purpose. Music, as a universal language requiring no intermediary or translation, has an especially great power to create community.

The LO is a proactive community partner and pioneer of artist-driven civic leadership, actively working to provide access to its performances, free family engagement activities, and free community parks concerts that ensure the removal of economic or social barriers. Until now, this increased access has been restricted to the Louisville Metro; the next step is to provide access across the state.

Through the vehicle of an annual Kentucky tour beginning in 2023, the LO will return to a moment in its own history when it was a resource for the entire Commonwealth. Bridging communities from all corners of the state, the orchestra will provide access to mainstage concerts and act as a cultural resource, building community partnerships, bringing enrichment activities designed for youth and families, and incorporating local musicians and musical traditions into LO programming and performances. The opportunity for Abrams and the orchestra to spread their message of community-building and musical collaboration outside of Louisville and across the state of Kentucky only reaffirms what Arts-Louisville concluded long ago: “The orchestra, specifically this orchestra, is a living, breathing, evolving, and relevant art form.”

Launch of Creators Corps

Teddy Abrams & Louisville Orchestra Establish New “Creators Corps” Residency Program for Composers

Long praised for visionary thinking about the role of an orchestra in its community, galvanizing Music Director Teddy Abrams and the Louisville Orchestra embark in the 2022-23 season on their newest initiative, the Louisville Orchestra Creators Corps, completely transcending traditional commissioning and composer-in-residence paradigms with a radically new model for collaborating with symphony orchestras in the 21st century. Each year, the orchestra will select three creators to move to Louisville and live in the Shelby Park neighborhood for at least 30 weeks, serving as staff members with an annual salary of $40,000, health insurance, provided housing, and a custom-built studio workspace. Creators with experience beyond the Western classical tradition are encouraged to apply, and those participating in the program will have the option of re-applying/renewing for one or two additional years. Throughout their residencies, they will compose new works to be performed by the orchestra, participate in educational and community engagement activities, and be active, engaged citizens of their neighborhood. The program has been funded by a three-year, $750,000 grant from the Andrew W. Mellon Foundation and individual donors. Applications are due by May 2, and the three finalists will be publicly announced in mid-June. The residency begins on September 1.

Abrams, who was named Conductor of the Year for 2022 by Musical America and is now in his eighth season with the orchestra, explains:

“The LO Creators Corps is the most ambitious large-scale project the Orchestra has undertaken since I arrived in Louisville. The concept developed from four critical lines of inquiry: how can we establish Louisville as a global center of creative music-making, how can we reposition composers as visible leaders with public service responsibilities, how can we provide our city with a direct and deep connection to the art-making process, and how can we offer a 21st-century response to the LO’s historic First Edition commissioning and recording project? The resulting concept will be a grand experiment – a first amongst American orchestras – to employ (and house!) multiple, full-time composers (called creators to represent all musical genres) who will regularly present new music for both the Orchestra and the community beyond, serving as creative artists committed to helping our city grow and flourish. I like the idea of deploying artists for a real purpose, getting them involved in a way that involves a deeper collective vision, like the Peace Corps.”

Composer Angélica Negrón, a member of the Creators Corps Advisory Panel which will review all the applications, adds:

“The LO Creators Corps is a uniquely special opportunity for composers to have a meaningful and sustainable relationship with a wonderful orchestra that’s deeply committed to not only supporting new music but also to making this new music a vital part of their community. To have the chance to imagine, create and develop with such a substantial and strong support system is a rare gift for music makers – particularly in the context of orchestras – that could have a huge impact on a composer’s career, and I’m excited to hear the music and conversations that this new initiative sparks.”

The Creators Corps initiative builds on the Louisville Orchestra’s earliest history and personality as an institution. Starting in 1947, the orchestra began an ambitious and unprecedented project of commissioning new orchestral works from composers around the world. At a time when even the most prestigious orchestras were offering few works by living composers, the Louisville Orchestra commissioned and premiered 21 works in just three seasons. With the launch of First Edition Recordings in 1955, the LO became the first American orchestra to own a recording label when it received a Rockefeller grant of $500,000 to commission, record, and premiere music by living composers. Known as a pioneer in new music ever since, the orchestra has commissioned more than 150 works from luminary composers including Aaron Copland, William Schuman, Paul Hindemith, Darius Milhaud, Jacques Ibert, Heitor Villa-Lobos, and a host of others. From 1947 to the 1977-78 season, no other orchestra equaled the impact of the Louisville Orchestra in bringing to life the works of contemporary composers. The New York Philharmonic came closest with a total of 110 works created compared to the Louisville Orchestra’s 136 commissions. During the same period, the Boston Symphony Orchestra premiered 87 commissions, the Houston Symphony 81, the American Composer’s Orchestra 76, and the Chicago Symphony 75. A survey of premieres starting in 1958 shows that the Louisville Orchestra’s active advocacy of the works of living composers stimulated a dramatic worldwide increase in support that continues to this day.

Though conceived as a successor project to First Edition Records, the Creators Corps also represents a giant leap forward. The initiative asks the three invited creators to act as artist-leaders, developing meaningful relationships with neighborhood residents and embodying the orchestra’s conviction that music is a fundamental part of civic life. Responsibilities will include creating orchestral works to be featured in the LO’s annual Festival of American Music; community-based projects; education initiatives; collaboration with performers of diverse genres and backgrounds; curating portions of orchestral programs at Old Forester’s Paristown Hall; and participating in public activities in the Shelby Park neighborhood and throughout Louisville.

The Louisville Orchestra has assembled an Advisory and Selection Committee to determine each year’s three finalists from an open application process. The committee will search for creators from a variety of backgrounds who have distinctive artistic voices, are dedicated to community and educational outreach, and care deeply about grounding their musical practice in social engagement. The ideal applicants will be early or mid-career creators with bold ideas about writing for and interacting with an orchestra. They must be civic-minded and interested in utilizing music as a vehicle for community change. Finally, the creators must be outgoing, social, and self-directed, with the desire to initiate projects and be active in neighborhood life. Creators with wide-ranging experiences and training are encouraged, but applicants must have the ability to compose for a symphony orchestra or be willing to partner with other creators with those skills.

Louisville Mayor Greg Fischer says:

“Our Louisville Orchestra’s tradition as an innovator and an international center for new works takes another leap forward with the launch of the Creators Corps. Our Orchestra benefits from exciting new music, and Shelby Park and our entire community benefit from the educational and community events. Hats off to Teddy Abrams and the entire Louisville Orchestra team for their efforts to show how a community can shape the arts, and how the arts can shape a community.”

Graham Parker, interim Executive Director of the Louisville Orchestra, concludes:

“The Louisville Orchestra has always led the national conversation about the role of composers in the shaping of artistic and civic impact. The new Creators Corps program is the next bold chapter of that story, providing our community and audiences with consistent relationships with leading creative voices of the day, as well as providing a stable and deep opportunity for a composer to hone their voice and understand how their music can bring the community together. This is the only way forward.”

Application Process

Artists can apply and view details at  https://louisvilleorchestra.org/creators-corps.


Important Dates & Deadlines

  • March 23, 2022: Applications open
  • May 2, 2022: Application deadline
  • End of May 2022: Notification
  • August 2022: Selected residents begin relocating to Louisville
  • September 1, 2022: Residency period begins

For questions, please contact Jacob Gotlib, Creative Neighborhood Residency Program Manager, at jgotlib@louisvilleorchestra.org or call 502.587.8681.

APRIL CONCERTS

Dear Friends,

I am delighted to be writing to you about two wonderful programs being offered by the Louisville Orchestra this month, and about the terrific guest artists who will be joining us at the Whitney.

First, our Classics Series continues with two important masterworks, Rimsky-Korsakov’s Sheherazade and Prokofiev’s “Violin Concerto #1,” compositions that bridge the Late Romantic era into the 20th Century.  Sheherazade is among the most famous and most popular symphonic suites ever written. Composed in 1888, the suite has four movements with themes that recur throughout, and offers solos to many of the principal players in the orchestra, most notably, the concertmaster. It’s based upon the extraordinary tales woven by the beautiful princess, Sheherazade, in One Thousand and One Nights and combines two of Rimsky-Korsakov’s great strengths and interests: brilliant orchestration and Orientalism.

Sergei Prokofiev began composing his first violin concerto in 1915, put it aside to compose an opera, and then went back to it in 1917. It was premiered in 1923 in Paris with Serge Koussevitzky conducting at the same concert at which Igor Stravinsky made his debut as a conductor (in the premiere of his amazing Octet). The concerto is in three movements, it starts and ends in ethereal beauty, with a barn-burner of a scherzo in the middle!

Two brilliant and rising young stars make their debuts with the LO on this concert, the conductor Jonathon Heyward and the violinist Benjamin Beilman. Maestro Heyward’s rise has been meteoric. He served for three years as assistant conductor of the Hallé Orchestra in England and was named Chief Conductor of the Nordwestdeutsche Philharmonie in the summer of 2021. He has an astoundingly busy schedule conducting orchestras throughout Europe and North America, and we’re lucky that it includes us!

No less than the New York Times has described Benjamin Beilman’s playing as having “handsome technique, burnished sound, and quiet confidence (which) showed why he has come so far so fast.” His is the sort of all-around virtuosity that will make glorious the many demands of the Prokofiev, from nuanced pianissimos to brutal edginess. Two great artists making their LO debuts!

The other program, which I have the pleasure to conduct on our Pops Series, is the great Michael Cavanaugh, pianist and vocalist, playing the music of Elton John. Cavanaugh was famously chosen by Billy Joel to play, well, Billy Joel in the Broadway musical “Movin’ Out” which he headlined for three years and more than 1200 performances. His voice, his keyboard skills, and his amazing energy will make this an Elton John tribute to remember…and it’s possible that a couple Billy Joel tunes may show up as well!

Welcome to the Whitney, everyone! I hope you enjoy every minute of every program, and as always, thank you for your support. We can’t do it without you.

Enjoy the performances!

 

Bob Bernhardt,
Principal Pops Conductor

ABOUT THE FESTIVAL

People of Earth, a dynamic Latin timba ensemble based in New York City, appears with Teddy Abrams and the Louisville Orchestra in Whitney Hall on March 4 and 5, in a highlight of Part I of the orchestra’s two-concert Festival of Latin American Music. Part II continues March 11-12, in a festival that sweeps across the Caribbean and through the hemisphere on a tour of the music of the Americas.

Together, the two concerts premiere three new compositions commissioned by the Louisville Orchestra, and two commissioned and premiered by the Louisville Orchestra more than 50 years ago under the baton of symphony founder Robert Whitney.

Besides the new, there’s also the familiar, with the March 4-5 concerts featuring Leonard Bernstein’s “Symphonic Dances,” from “West Side Story,” and the March 11-12 concerts capped with the “Cuban Overture,” by George Gershwin.

A lot of sounds, and it’s all got rhythm.

“We’re bringing together all kinds of perspectives on Latin Music, from traditional to jazz, fusion and concert music as we celebrate this culture,” says Abrams. “The rhythms and textures that bring energy and light to Latin Music will be on display at these shows — and I’m so excited to bring these performers and this music to Louisville audiences.”

The People of Earth is a band of singers, dancers, horns, and percussion infusing the many beats and dance rhythms of Cuba and the Caribbean — all perking with the symphony’s strings. Abrams says the blend, “blurs the lines of salsa club and concert hall.

“We had the extraordinary opportunity to commission a new work from Dafnis Prieto, a MacArthur Foundation “Genius” fellow, and multi-Grammy-winning Cuban composer and performer,” says Abrams. “He agreed to write a piece that redefines the concept of soloist,” with the People of Earth timba band taking center stage.

Prieto says his “Tentacion” (Temptation) explores the many sides of a relationship in “an imaginary love story driven by the powerful law of attraction.”

Abrams notes that the Festival’s new commissions re-affirm the Louisville Orchestra’s association with Latin Music. Many of the hundreds of works premiered and recorded by the symphony on its First Edition label a half-century ago were created by musicians of international fame, including Heitor Villa-Lobos, Brazil’s most famous composer. His “Alvorada na Floresta Tropical” (Dawn in a Tropical Rainforest) premiered in Louisville in1953.

Though classically trained in Paris, Villa-Lobos always asserted he learned his music “from a bird in the jungles of Brazil, not from academics.” For the premiere, Villa-Lobos explained, “A dawn, in any tropical forest of Brazil, is for me an overture of colors accompanied by the magic singing and chirping of tropical birds — and also by the howls, squeals, evocations and the exotic barbaric dances of the native Indians.” Villa Lobos adapted the tonal scales of indigenous Brazilians into his composition. The piece is programmed for Saturday, Mar. 5 only.

Later in March, Abrams has programmed Joaquin Rodrigo’s guitar “Concierto de Aranjuez” into the Louisville Orchestra’s “Music Without Borders” series, Mar. 24, 25 and 26, at The Temple, The Jeffersonian, and the Ogle Center, respectively. Stephen Mattingly is the featured guitarist.

CONCERT LINKS TO LEARN MORE

Festival of Latin American Music #1
Friday, March 4 at 11AM at Kentucky Center
Saturday, March 5 at 8PM at Kentucky Center

Festival of Latin American Music #2
Friday, March 11 at 11AM at Kentucky Center
Saturday, March 12 at 8PM at Kentucky Center

Concierto de Aranjuez
Thursday, March 24 at 7:30PM at The Temple
Friday, March 25 at 7:30PM at The Jeffersonian
Saturday, March 26 at 7:30PM at The Ogle Center at IUS

Coffee Concerts for Schools

Baird Coffee Concert Series performances are matinee public concerts open to Middle and High School students who are ready for the full-orchestra concert experience. Each performance is preceded by a “Concert Talk” that offers students the chance to learn about the concert program, including history, composers, and musical genres. This is an in-person experience only.

Questions? Contact Jenny Baughman, LO Education & Community Engagement Coordinator

502.587.8681 or education@louisvilleorchestra.org

Upcoming Concerts

There are no upcoming events at this time.

Concert Talks: Begin prior to the performance at 10am

Location/Address: Whitney Hall at The Kentucky Center, 501 West Main Street, Louisville, KY 40202 (map)
Audience: Middle and High School students
Teacher/Student Materials: Concert-specific program guide provided
Cost: $12 per student, 1 free chaperone admitted per every 10 paid students (additional chaperones $12 each)

RESERVE YOUR TICKETS: LINK TO FORM

IMPORTANT: Please review mandatory health/safety protocols and FAQs and on the LO site: louisvilleorchestra.org/home/health-and-safety. Please note – Individuals who cannot show proof of vaccination or a recent negative COVID test will not be admitted to the concert venue.

 

Free concerts for children

The Louisville Orchestra and the Louisville Free Public Library are pleased to announce a new, free concert series for young children and their families. ONCE UPON AN ORCHESTRA is presented with the support of the Library Foundation, Friends of the Library, the Brown-Forman Foundation, and Heaven Hill.

Once Upon an Orchestra sets storytelling to music with Louisville Orchestra musicians playing in small groups throughout the 17 branches of the Louisville Free Public Library. Each 30-minute interactive concert offers a fun musical story program such as “Musical Friends Around the World,” “Peter and the Wolf,” “A Trip to the Musical Zoo,” and more, plus a 30-minute activity. Children will learn to build a musical instrument from recycled materials to take home.

Leading the program is Louisville Orchestra Director of Education and Community Sarah Lempke O’Hare. She has specific goals for these concerts and explains, “With Once Upon An Orchestra, we are building on our established “MakingMUSIC” program. By bringing free small ensemble musical performances to family audiences in LFPL branches across the Louisville Metro, the orchestra will reach more children with music. We want to make strides to create more equitable access to quality performing arts opportunities.”

To view a complete list of the dates, locations, and programs, CLICK HERE.

 

Teddy Abrams : Musical America Conductor of the Year 2022

Teddy Abrams Named Musical America’s Conductor of the Year 2022

Download b-roll here

(Tuesday, October 12, 2021) Musical America announced today that Teddy Abrams—the galvanizing conductor now in his eighth season as Music Director of the Louisville Orchestra—has been named Conductor of the Year for 2022. Louisville Mayor Greg Fisher congratulated Abrams publicly at a news conference soon after the announcement was made. From his earliest days in Louisville, the conductor has been lauded for his efforts to connect the orchestra with the community at large, exemplified most recently by his musical responses to the global pandemic and Black Lives Matter movement, as well as creative initiatives like his rap-opera The Greatest, honoring heavyweight champion and Louisville native Muhammad Ali and featuring local rapper Jecorey Arthur, now newly elected as one of Louisville’s Metro Councilmen. Abrams also serves as Music Director and Conductor of the Britt Festival Orchestra in Jacksonville, Oregon. As a recipient of this prestigious award, he joins a long list of conducting luminaries that includes Marin Alsop, Jaap van Zweden, Gianandrea Noseda, Pablo Heras-Casado, Franz Welser-Möst, and Abrams’s own mentor, Michael Tilson Thomas. The conductor’s videotaped response upon receiving news of the award can be seen here.

Lee Kirkwood, Chairman of the Louisville Orchestra Board of Directors, applauded Musical America’s decision:

“Congratulations to Teddy Abrams for this once-in-a-lifetime honor. Teddy’s many talents and his dedication to raising up the creative community of Louisville has become an inspiration to many, both here and across the country. We are so proud of him and will continue to show it by supporting his vision.”

Abrams responded:

“I’m incredibly grateful and overwhelmed to receive this award from Musical America; the honor, however, should be shared by my extraordinary colleagues here in Louisville, both on- and offstage, who have become family to me these past seven seasons. We have worked tirelessly together to live by our values: to interconnect the unending pursuit of the creative spirit with the call to service and communion on behalf of our city. I am very proud of the work we’ve accomplished so far in Louisville, and I believe that we are beginning an era of further transformation and growth in a city that deserves it and in an industry that needs bold redefinition. After a particularly challenging period in Louisville’s history, I am thrilled that Musical America has offered this recognition for our orchestra and this spotlight for our beautiful city and state.”

Early in the pandemic, Abrams redoubled his efforts to bring comfort through music to people across the city. He and the orchestra participated in “Lift Up Lou,” collaborating with Mayor Fisher to offer Louisville residents “uplifting and engaging” live and shareable content as well as ideas to stay connected, all made available on social media. As part of the same initiative, Abrams brought together numerous Louisville-based musicians to record the collaborative song “Lift Up Louisville,” with proceeds benefiting the One Louisville COVID-19 Response Fund. Lift Up Lou’s “Music on the Move” program also took music directly to Louisville residents, first by having the multi-faceted conductor and musician play a series of one-man pop-up shows on his electronic keyboard in neighborhoods around the city, as reported in the local Courier-Journal. Meanwhile, Abrams offered personal ten-minute online “comfort concerts” throughout the pandemic, and co-hosted the radio show “In This Together” on WUOL Classical Louisville. The Louisville Orchestra, for its part, replaced its previously announced fall offerings with four online concerts in the “Louisville Orchestra Virtual Edition (LOVE)”—streaming live and then available for on-demand viewing—from Louisville’s newest venue, Old Forester’s Paristown Hall. Abrams’s indefatigable community engagement, not only during the pandemic but throughout his tenure, has received significant attention from national media, including a feature in Vogue that detailed the orchestra’s virtual season-opening concert honoring Breonna Taylor, and profiles on PBS’s Articulate show, the PBS Newshour and NPR.

Link to the complete media release HERE.

How safe? Here are some details.

Dear Friends.

We are excited to welcome you back to live, in-person concerts! The health and safety of our community is an important consideration as we gather for performances. To operate with utmost concern and awareness of the current recommendations of health officials, the LO strives to react appropriately as the pandemic continues.

We have implemented these protocols for admission to LO concerts at all indoor venues:

  1. Masking is mandatory at all times unless actively eating or drinking for all persons over age 2 years. This applies to outdoor venues also.
  2. Proof of negative PCR test or full vaccination status must be presented and verifiable for all persons over age 5 years.
  3. Testing will be provided at all venues by Bluewater Labs. 100% covered by your insurance or by the CARES Act (through Dec 31, 2021). 15-minute nasal swab testing is used.

HEALTHY AIR. SUPERIOR CLEANING

The Kentucky Center has enhanced its HVAC filtration systems with Minimum Efficiency Reporting Value (MERV) 13 filters that meet standards set forth by the Centers for Disease Control and Prevention (CDC) and the American Society of Heating, Refrigeration and Air-Conditioning Engineers (ASHRAE). The air in the facility exchanges 100% no fewer than 4x per hour. In addition, the KPA is actively working to receive a GBAC STAR™ Facility Accreditation from the Global Biorisk Advisory Council, a Division of ISSA – The Worldwide Cleaning Industry Association. Once obtained, this cleaning standards certification will place all KPA venues on the international registry of GBAC accredited venues.

– High traffic areas will be cleaned, sanitized, and disinfected several times during your visit with agents that kill the COVID-19 virus.
– Theaters, concert halls, and reception spaces will be cleaned, sanitized, and disinfected before each use.
– Restrooms will be cleaned, sanitized, and disinfected often throughout your visit.

SAFETY SCREENING

In addition to health screening, a security screening will be in place at all Kentucky Performing Arts venues (Kentucky Center, The Brown Theatre, Old Forester’s Paristown Hall). The security screening will include bag checks, and magnetic wand or magnetometer tests. Prohibited items are all guns, knives in most categories, mace or pepper spray, and other items detailed on the LO website. Other LO performance locations may institute security screenings. Please check with the LO Patron Services team if you have questions.

BAG RESTRICTIONS AT THE KENTUCKY CENTER
The Kentucky Performing Arts has issued a restriction on backpacks and oversize bags, including drawstrings.

Details for Kentucky Performing Arts venues are available here: https://www.kentuckyperformingarts.org/about-KPA/covid-19-guidelines

A full outline of LO protocol is available at www.LouisvilleOrchestra.org/health-and-safety/

Upon reviewing these policies, if you would like to discuss your ticket options, please contact the LO during business hours at 502.587.8681.

Everyone at the LO is busy preparing for an amazing series of concerts as together we rise to the challenges of our times. We look forward to seeing you at a performance very soon.