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Louisville Orchestra and Musician’s Union Announce Successful Negotiation of New Collective Bargaining Agreement, Ensuring Continued Commitment to Musical Excellence and Community Engagement

A Transformative Agreement Sets the Stage for Innovation, Growth, and Deepened Community Ties.

LOUISVILLE, KY. (August 28, 2024) – The Louisville Orchestra and the Louisville Federation of Musicians Local 11 – 637 of the American Federation of Musicians are pleased to announce the successful completion of a new 3-year Collective Bargaining Agreement (CBA) that promises to ensure the growth of the organization and redefine its role as a cultural leader in 2024. This new accord, reached through a negotiation process marked by mutual respect and a shared vision, marks  a significant step forward for both the orchestra and the broader Louisville community.

Just 13 years ago, the Louisville Orchestra’s management and its musicians faced significant challenges, culminating in a work stoppage that highlighted the deep divisions of the time. Today, in a national climate where labor relations often remain fraught with tension, these CBA negotiations stand out as a model for positive change. Thanks to a renewed commitment to collaboration based on shared objectives, the orchestra has transformed past adversities into a foundation for cooperation and innovation. This new agreement is not just a set of terms; it is a comprehensive blueprint for the future, reflecting the orchestra’s dedication to artistic excellence, diversity, community outreach, and the well-being of its members.

“This agreement represents a transformative leap forward for the Louisville Orchestra, marking the beginning of an exciting new chapter in our history,” said Graham Parker, Chief Executive of the Louisville Orchestra. “By working hand-in-hand with our musicians, we have crafted a visionary plan that ensures the Louisville Orchestra remains a beacon of cultural and artistic excellence. Our new collective bargaining agreement is a testament to our commitment to not only sustaining but elevating the orchestra as a destination for top talent and a cherished community institution.”

“The changes we collectively agreed upon go beyond superficial updates,” said Jonathan Mueller, Chairperson of the Louisville Orchestra Musicians Committee. “We undertook a complete, fundamental review of the entire contract, examining every word and clause to ensure they aligned with the needs of our musicians and our united vision for the future. This agreement not only honors the incredible dedication of our musicians but is a testament to the power of collaboration and shared commitment to the future growth of the Louisville Orchestra.”

The negotiation process was defined by a progressive and forward-looking approach. Through open dialogue and a commitment to mutual understanding, the Orchestra and its musician representatives successfully addressed key problems and aligned on a path forward. As a result, significant portions of the existing contract were updated to ensure that every aspect reflects the current needs and aspirations of the organization and its musicians.

The new agreement is built on a bold vision for the future, focused on four key pillars:

• Elevating the Orchestra’s National Standing: A Magnet for World-Class Talent
  The agreement includes significant enhancements to compensation, health benefits, and worker protections, making the Louisville Orchestra more competitive for the world’s top talent. With pay increases of 8% in the first year, followed by a total of 9% over the following two years, along with matching contributions to the 403(b) plan and increased life and instrument insurance, the orchestra becomes an attractive destination for the world’s most accomplished musicians. This commitment to excellence will enable the Louisville Orchestra to continue drawing top-tier talent, fostering an environment where artists can build long-term, fulfilling careers while enriching the cultural landscape of Louisville.

• Embracing Artistic Excellence: A Broadening of Horizons
  The Louisville Orchestra has updated its audition and hiring processes to attract and retain exceptional talent. This includes a comprehensive refreshment of the tenure process, and a more fair audition and hiring process which is designed to reduce bias and attract a broader and more diverse candidate pool. These enhancements are designed to maintain the orchestra’s commitment to artistic excellence while allowing for fresh perspectives that resonate with an evolving and diverse audience.

• Prioritizing Musicians’ Well-Being: Safeguarding Health and Longevity
  Recognizing the unique challenges faced by professional musicians, the Louisville Orchestra has introduced targeted benefits that prioritize the health and well-being of its members. In partnership with the Heuser Hearing Institute, the orchestra will provide custom-fit earplugs to all musicians, safeguarding their hearing and ensuring their ability to perform at the highest levels for years to come. In addition, new guidelines for working conditions, including overtime flexibility and safety protocols, have been established to create a more supportive and sustainable work environment. This initiative is part of a broader commitment to creating a workplace that allows musicians to thrive both on and off the stage.

• Deepening Community Engagement: Music for All Corners of Kentucky
  A cornerstone of the new collective bargaining agreement is the orchestra’s strengthened commitment to community engagement, with a particular focus on expanding the “In Harmony – The Commonwealth Tour of the Louisville Orchestra.” Building on lessons from past tours, the agreement has been thoughtfully revised to streamline operations and remove logistical barriers. Key improvements include updated and more flexible travel rules, increased tour-related pay and benefits, and structured services to maintain high performance standards. These changes will enable the Louisville Orchestra to bring free, world-class performances to more communities across Kentucky and expand educational initiatives aimed at nurturing the next generation of musicians. Through these efforts, the Louisville Orchestra reaffirms its mission to make music accessible to all, solidifying its role as a vital cultural resource for the entire region.

“We are united in our mission to deliver exceptional music and foster community engagement in Louisville and beyond,” said Andrew Fleischman, Board of Directors Chair. “This agreement sets the stage for a bright future where musicians and management work hand-in-hand to continue the Louisville Orchestra’s legacy of artistic excellence and innovation.”

The ratification of this collective bargaining agreement marks a defining moment in the history of the Louisville Orchestra, signaling its ongoing commitment to innovation, growth, and the transformative power of music. As the orchestra embarks on this new chapter, it does so with a renewed sense of purpose and a clear vision for the future—one that is rooted in a deep connection to its community and a steadfast dedication to artistic excellence.

“Management and labor together had a shared objective to negotiate a world-class contract for our musicians: one which rewards our musicians with compensation, benefits, and a supportive work environment. Negotiations were carried out with respect, open communication, and professional regard throughout. Both Management and the Orchestra Musicians Committee worked tirelessly and cooperatively to build bridges to understanding jointly leading to a collective vision for The Louisville Orchestra’s future,” said Anthony Minstein, President, Secretary and Treasurer of the Louisville Federation of Musicians, Local 11 – 637. “The result is an agreement that truly belongs to all and stands as a foundation for continued artistic excellence and cooperation.”

This agreement not only honors the incredible dedication of our musicians but is also a testament to the power of collaboration and shared commitment to the future growth of the Louisville Orchestra.

The Louisville Orchestra season opens on September 14 at Whitney Hall with The Planets, featuring Holst’s sonic blockbuster, and continues with programs that include Stravinsky’s Firebird, Richard Strauss’s An Alpine Symphony, Ravel’s Daphnis et Chloé Suite No. 2, and Takemitsu’s Star Isle. This 2024-2025 season will feature world-class guest artists such as Ray Chen in the Barber Violin Concerto and the legendary Midori in Sibelius’ Violin Concerto, as well as appearances by Rick Steves, Erik-Michael Estrada, Chris Kirkpatrick, and Jeff Timmons. Tickets and information are available at LouisvilleOrchestra.org.

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About the Louisville Orchestra 

The Louisville Orchestra was created in 1937 and sprung up in a time of need, just after the great flood and in the wake of the depression. Robert Whitney was invited to conduct the newly established orchestra, known then as the Louisville Philharmonic, and arrived from Chicago that same year. In its formation, the goal was to create a new model for the American symphony orchestra, as it was conceived through an ambitious effort that emphasized innovation through the commissioning, performance, and recording of new works by contemporary composers. The Louisville Orchestra garnered international critical acclaim, became the first orchestra to establish a record label, and cemented a place in history for its contribution to contemporary classical music. In its first two decades, the Louisville Orchestra commissioned/recorded up to 52 new works annually and ultimately created 150 vinyl recordings (LPs) of more than 450 works.

The Louisville Orchestra continues to be recognized as a cornerstone of the Louisville performing arts community. Music Director Teddy Abrams has helmed the Louisville Orchestra since 2014, and the Louisville Orchestra has returned to its origins of commissioning new music and recording, having released two albums under the prestigious Decca Gold label. A wide variety of immersive and innovative concert performances and educational programming continue to receive national attention. Recent press coverage includes articles and mentions in The New Yorker, The New York Times, The Wall Street Journal, Rolling Stone, Pitchfork, and CBS Sunday Morning. Accolades include three invitations to perform at Carnegie Hall; the Leonard Bernstein Award for Excellence in Educational Programming; the League of American Orchestras 2019 Ford Musician Awards for Excellence in Community Service; and 19 American Society of Composers, Authors, and Publishers (ASCAP) awards for adventurous programming in use of contemporary music.

Media Contacts:

Mallory Kramer
Director of Marketing Louisville Orchestra
mkramer@louisvilleorchestra.org

Anthony Minstein
President, Secretary and Treasurer Louisville Federation of Musicians Local 11 – 637
pres@louisvillemusicians.org
https://louisvillemusicians.org/

The Louisville Orchestra Announces New Appointments to The Board of Directors

Orchestra adds six new leaders as it looks toward a continued future of community representation and artistic innovation

Louisville, KY – The Louisville Orchestra has announced that six outstanding community leaders – David Baughman, Rolandas T. Byrd, Michele Mitchell, Akhil Suresh Nair, Matt Watkins, and Ashli Watts – have joined its board in advance of the 2024–2025 season. Their varied and impressive backgrounds in both the for-profit and non-profit sectors, their experience, ideas, and perspectives will serve the Louisville Orchestra well in its mission to redefine the role of the orchestra in the 21^st century.

Graham Parker, Chief Executive of the Louisville Orchestra, comments:

“The Louisville Orchestra has always been dedicated to serving all who call Louisville home, and with our Kentucky Tour, we are now bringing the LO to the entire Commonwealth. Our board must continue to reflect and represent the range of communities who make Louisville and Kentucky so vibrant and exciting. I am delighted to welcome our new board members to the LO family and look forward to working with them to strengthen our organization and maximize our impact.”

LO board member and Chair of the Nominating & Governance Committee Mary Ellen Wiederwohl (President & CEO of Accelerator for America) shared her enthusiasm: “The addition of these outstanding Kentuckians strengthens our board and continues to broaden the LO’s reach and perspective; I’m heartened and encouraged by their commitment.”

LO board Chair Andrew Fleischman (Partner with Kaplan Johnson Abate & Bird LLP), added:

“We are thrilled to welcome these remarkable leaders to our board. Their diverse expertise and passion for the arts will undoubtedly propel the Louisville Orchestra to new heights. Together, we will continue to innovate, inspire, and make a profound impact on our community.”

David B. Baughman

CEO of the Baughman Group

Born in 1943, David Baughman is a graduate of the University of Evansville with a bachelor’s degree in marketing, having engineering as his related field of study. A father of two sons and grandfather of four, David lived most of his life in the Highlands of Louisville restoring several old homes including Rosewell in Harrods Creek. David currently lives in a home on the Ohio River in Utica Indiana just across the East End Bridge.

Business David moved to Louisville in 1969 to go to work as a pump and seal specialist at Louisville Mill Supply Company. In eight years, he grew the business 10-fold and bought the division he headed with a loan from what was then Liberty National Bank. The new company was named Baughman Seals Incorporated or BSI. As he grew that business, he added a machine shop and a hydraulic repair company. In 1993 he bought Hancock Machine and tool and expanded his business to heavy machinery repair such as Stamping Presses, later adding Schmutz Companies and King Bearings. A lifelong entrepreneur and gearhead, he was led by friends in the medical field to found Gold Standard Orthopedics in 2001, a company that manufactures spinal implants. Pioneering work in patented bone screw design led to founding a subsidiary to manufacture small temporary titanium implants for orthodontists. In the last three years he has sold all but his first two companies, which he continues to oversee as CEO.

Civic contributions David served two terms as president of the Shipping Port Business Association during Jerry Abramson’s terms as mayor, developing a comprehensive plan for the area east of Ninth Street, which is just now being implemented. He served three terms on the board of the Main Street Association during its formative years, the years when the association worked to save and revitalize Main Street. David was an original member of the board of directors of the Frazier History Museum and since has served three terms helping to guide the museum through the transition brought about by the death of its founder Owsley Frazier. He conceived and spearheaded the museum’s sale of Buddy Thompson Final Reserve, netting over $250,000 for the museum. He bought and donated the historic truck that you see when you drive by on Main Street, and worked on the committee of the Frazier Classic, a major fund-raising event for the museum.

Music Music has been a part of David’s life from an early age. He was a gold medalist on the double bass at the Illinois State Championships in his senior year of high school. He covered the majority of his college expenses leading what today would be called a cover band, playing gigs for college parties and every Sunday night at the Evansville armory switching between bass and guitar. After moving to Louisville, he formed a band called Phoenix which played the clubs on Washington Street, but had to leave the music behind when the day job took over. Returning to the double bass at age 75, he is currently the bassist for the Louisville Mandolin Orchestra. Philanthropic endeavors include sponsoring a scholarship for double bass through Sidney King at the University of Louisville School of Music. A big fan of the Louisville Orchestra, he is currently working to endow a chair for double bass.

Other interests David is a pilot holding instrument and multi-engine ratings. He is also type rated in several vintage Warbirds, and twice a performer in Thunder Over Louisville in his T28. Taking up vintage sports car racing at age 64 he was Formula Ford National champion in 2013 at the Circuit of the Americas in Austin, Texas. He also enjoys woodworking and amateur luthier work on vintage instruments. He and his life partner, Gayle Ciliberti, enjoy the arts, live entertainment, and travel.

Rolandas T. Byrd

Director of Community and Multicultural Banking, Republic Bank

Also known as Ro, Rolandas T. Byrd is the Senior Vice President and Director of Community and Multicultural Banking at Republic Bank, based in Louisville, Kentucky. He has nearly 20 years of experience in the banking industry, having held positions in Retail, Business Banking, Community Development, and Commercial Banking throughout his career.

Ro is a Louisville native who is passionate about supporting local businesses and helping them grow, which is why he serves as the Engagement Committee Chair for Louisville Independent Business Alliance. Ro graduated from the University of Kentucky with his bachelor’s degree in economics and later completed banking school through Wake Forest University.

Throughout his career, Ro has demonstrated exceptional leadership abilities and a strong commitment to driving successful outcomes. He possesses a deep understanding of community outreach and multicultural banking, consistently developing innovative strategies to effectively engage diverse communities.

Ro has been recognized for his contributions to the community and the banking industry. He was named one of Louisville Business First’s “20 People to Know in Banking” in 2019 and recognized as a “40 Under 40” honoree by Louisville Business First in 2016. He has also received a YMCA Black Achiever’s Award and was commissioned a Kentucky Colonel.

In his free time, Rolandas enjoys spending time with his family and friends along with volunteering in the community. He serves on several boards such as Kentucky Opera, LISC, and Community Engagement Advisory Board for University of Louisville. For leisure he spends time traveling, working out, and watching his Louisville Cardinals play.

Michele Mitchell

LDG Foundation, Board Member
Librarian, St. Raphael School
Office Administration, Sensible Psychiatric Services

Michele Mitchell is the Librarian for St. Raphael School and billing specialist and office assistant for Sensible Psychiatric Services. She works to instill a standard curriculum while also incorporating interdisciplinary projects to reinforce fundamental principles. She is also on the board of the LDG Foundation, where she is passionate about the mission to enrich lives and foster vibrant communities to encourage success. Her background is in sales, manufacturing, office management, and fundraising. Her work and volunteer experiences have helped her possess good management skills for organized work environments. She also has a background in music, which continues to play a very important role in her life. She is looking forward to serving on the board of the Louisville Orchestra.

Akhil Suresh Nair

Founder and CEO, Xena Intelligence

Akhil Suresh Nair is the founder & CEO of Xena Intelligence, an AI-powered e-commerce growth SaaS tool. He is a first-generation immigrant and the father of a beautiful baby girl. He moved to Louisville from Boston in 2022 after winning the prestigious Render Competition and Vogt Awards and has enabled multiple Kentucky based brands to go global thanks to the power of ecommerce technology. He is a big proponent of the arts and strongly believes that creativity in one’s personal and professional life leads to progress of mankind, and the work LO does is a cornerstone of community development in the region and is a proud supporter of it.

Matt Watkins, J.D., LL.M., CPWA®

Partner | Multi-Family Office
Cerity Partners

Matt Watkins is a Partner at Cerity Partners in Louisville. His practice focuses on clients facing complex family, financial, tax, and estate planning situations and he has more than two decades of experience advising high net worth families and business owners. Prior to joining Cerity Partners, Matt was responsible for building and ultimately managing their family office as Director, Multi-Family Office & Senior Financial Advisor at ARGI Financial Group. Preceding his time at ARGI, he was a Vice President and Senior Wealth Strategist at PNC Wealth Management, where he advised high-net-worth clients on financial planning, investments, and insurance planning. Early in his career, Matt was a transactional lawyer, focusing his practice on mergers & acquisitions, business succession planning, employee benefits, and estate planning.

As an avid supporter of the arts, Matt Watkins has long admired the Louisville Orchestra and its tremendous contributions to the community. He is committed to giving back to the Louisville community by using his skills to positively impact the organizations that serve it.

Ashli Watts

President and CEO, Kentucky Chamber

Ashli Watts was named the President and CEO for the Kentucky Chamber, the state’s largest business association, in November 2019 after serving seven years as Senior Vice President of Public Affairs. During her tenure at the Chamber, she has led efforts in passing significant pieces of legislation such as felony expungement, right to work legislation, workers’ compensation reform, unemployment insurance reform and tax reform. As part of the Chamber’s leadership team, the Kentucky Chamber was named National State Chamber of the Year in 2017. Prior to joining the Chamber, she worked at the Kentucky Bar Association and the Legislative Research Commission.

Ashli graduated from Campbellsville University with a bachelor’s degree in political science and history in 2004 and holds a master’s degree in public policy and administration from the University of Louisville. She is a 2016 graduate of Leadership Kentucky, and currently serves on the boards for Campbellsville University, Prevent Child Abuse Kentucky, University of Kentucky College of Public Health, University of Louisville President’s Advisory Council, U.S. Chamber of Commerce, National Association of State Chambers, and the American Chamber of Commerce Executives (ACCE), where she was also named a 40 under 40 in 2020. She currently resides in Frankfort with her husband, Ryan, and two children, Emma and Carter.

The Highly Anticipated Return of the ROARchestra!

A partnership between The Louisville Zoo and Louisville Orchestra Brings Back The Popular ROARchestra! for a Wild Evening of Music and Wildlife

LOUISVILLE, Ky (May 22, 2024)  – The Louisville Zoo and Louisville Orchestra are thrilled to announce the highly anticipated return of ROARchestra! on July 6 at The Louisville Zoo. Following a 15-year hiatus, this beloved family-friendly event combines the excitement of a visit to the zoo with the soul-stirring sounds of the Louisville Orchestra, creating an unforgettable experience for the whole family.

“Being able to bring back the ROARchestra for this special evening is something we are over the moon about,” said Louisville Zoo Director Dan Maloney. “It is among the top questions our staff receives. This event is loaded with nostalgia and our community have such fond memories of this great event and we hope to help them build even more memories in July with its return! We look forward to a growing partnership with The Louisville Orchestra.”

“We are excited to bring ROARchestra! back to Louisville after 15 years,” said Graham Parker, Chief Executive of the Louisville Orchestra. “This event is a testament to the incredible partnership between the Louisville Orchestra and The Louisville Zoo, offering a truly unique experience that combines the beauty of wildlife with the power of live music.”

Doors open at 7 p.m. allowing guests to explore the Zoo or get settled and the concert, conducted by Teddy Abrams, begins 8:30 p.m. in the Oasis Field under the stars.  Abrams will be joined by guest vocalists Jason Clayborn and Daria Raymore with backup singers Teaira Dunn, CeCe Dunn, Latiana Clayborn. The evening will be a blend of classical masterpieces with soulful pop hits. This unique fusion promises a series of performances that will resonate with audiences of all tastes.

The concert will kick off with Leonard Bernstein’s energetic Three Dance Episodes from On the Town, setting the stage for an unforgettable musical journey. Audiences will then be immersed in the profound depths of Dvořák’s Symphony No. 9, a true masterpiece that will captivate and inspire.

Prepare to be moved by the soul-stirring renditions of timeless classics by legendary artists such as Aretha Franklin, Stevie Wonder, and Lionel Richie. The incredible vocalists Jason Clayborn and Daria Raymore, along with Teaira Dunn, CeCe Dunn, and Latiana Clayborn, will take the stage, delivering powerful performances of hits like “Endless Love,” “It’s A Man’s World,” and “Ain’t No Mountain High Enough.” Their extraordinary talent will leave you in awe and have you singing along all night long.

Tickets

Adults $30, Children under 12 $15, Children under 2 Free, Parking included.

Concert goers are welcome to bring their own picnic items and beverages to enjoy during the concert. Adult libations will not be permitted. Concessions will also be available for purchase. This event is expected to sell out and the Zoo and the Orchestra encourage guests to get their tickets early at www.louisvilleZoo.org/roarchestra

In Harmony Tour Continues with $4.3M in State Funding

Louisville Orchestra Secures $4.3 Million in State Funding to Continue “In Harmony – The Commonwealth Tour” for Two More Years
“In Harmony – The Commonwealth Tour of the Louisville Orchestra” to include in-depth residencies, new and returning performances, and expanded community events.

LOUISVILLE, KY. (April 16, 2024) –The Louisville Orchestra, under the visionary leadership of Music Director Teddy Abrams, is thrilled to announce the continuation of “In Harmony – The Commonwealth Tour” through 2024 to 2026, bolstered by a significant $4.3 million funding allocation from the Kentucky State Legislature. This landmark initiative, which began in 2022, has already made a profound impact, reaching over 27,000 Kentuckians across 38 counties through more than 125 events, and is now set to extend its reach further into the heart of Kentucky communities. This funding will enable the orchestra to deepen community engagement and enrich the cultural fabric across urban and rural divides throughout the state.

Senate President Robert Stivers commented, “The remarkable impact of the Louisville Orchestra’s ‘In Harmony’ tour plays a significant role in bridging the rural-urban divide. This initiative extends beyond entertainment; it is a vehicle for education, cultural enrichment, and community cohesion. By supporting the continuation of this tour, we are investing in the cultural wealth of our commonwealth, reinforcing our commitment to enhancing the lives of Kentuckians through the arts. It’s initiatives like these that showcase the Bluegrass’ rich artistic heritage and pave the way for a future where everyone can participate and draw inspiration in the beauty of orchestral music.”

House Speaker David Osborne remarked, “The continued success of ‘In Harmony – The Commonwealth Tour’ represents a unique investment in our state’s culture, improving quality of life and enriching our communities. The Louisville Orchestra’s initiative is a testament to the power of the arts in bringing Kentuckians together and reminding us that we have a great deal to take pride in and celebrate. We are pleased to allocate funding that will not only extend this valuable program but also amplify its reach to more communities, ensuring that every Kentuckian has the opportunity to experience this incredible asset to our Commonwealth.”

A Tour of Unprecedented Scope and Impact

“In Harmony” has redefined the concert experience, bringing the full force of the Orchestra’s talent to diverse settings—from schools to community centers—and illuminating the shared heritage of Kentucky’s communities. The tour, which kicked off in November 2022, has already seen remarkable success hosting 18 free full orchestra performances to over 16,000 attendees. Highlights have included unique collaborations with Kentucky’s own talent, including Grammy Award-winning Michael Cleveland & The Flamekeepers, mandolin virtuoso Chris Thile, and violinist Tessa Lark showcasing both the rich musical heritage of the Commonwealth and the versatile prowess of the Orchestra.

Not only showcasing the full presentation of orchestral performances, “In Harmony” demonstrates a comprehensive and engaging approach to community partnerships through intimate school engagements, master classes, and ensemble performances at community centers and libraries. The tour highlights a remarkable journey of cultural enrichment and education across 53 unique Kentucky zip codes. With a total of 109 events and 10,000 attendees, the tour emphasized educations engagement through 45 services in school and educational institutions. The innovative “Once Upon an Orchestra” program was a hit, presented 35 times in Kentucky libraries blending music with storytelling. Additionally, 29 public and private performances were held across the state connecting with assisted living communities, veteran centers, and public gathering centers. The Orchestra’s commitment to engaging diverse audiences, educational initiatives, and hosting community events has been widely recognized.

“We are thrilled and immensely grateful to be able to continue to impactful work throughout the Commonwealth,” says Sarah Lempke O’Hare, Louisville Orchestra Director of Community Partnerships. “This funding gives us the opportunity to continue engagement work we have uniquely developed with each community while continuing to provide orchestra concerts that offer a place of joy and healing for Kentuckians.”

Community leaders and audience members have expressed their profound appreciation for the tour’s impact. Gwen Johnson, Director of the Hemphill Community Center shared, “Our somewhat forgotten community was encouraged to believe that someone cares enough to bring their talent to us. The concert was a “classical first-even” experience for us in our community.” These testimonials reinforce the significance of the Orchestra’s mission to bring music to diverse audiences.

The Path Ahead: Expanding Horizons

Thanks to the generous support from the Kentucky state legislature, the Louisville Orchestra has received $4.3 million in continued funding secured for 2024–2026. This financial support is crucial in realizing the tour’s objectives and ensuring its continued success.

“With this extraordinary new appropriation from the General Assembly, we can build on what we started and we can expand our reach, our impact and our relationships,” says Graham Parker, Chief Executive of the Louisville Orchestra. “We want to thank the leadership in the General Assembly, specifically President Stivers and Speaker Osbourne, for their unwavering and enthusiastic support for our tours. Without their partnership, none of our dreams would have come true.”

With the continued support of the Kentucky state legislature, the Louisville Orchestra embarks on an ambitious new chapter of the “In Harmony” tour. Under the baton of Teddy Abrams and Resident Conductor Gabriel Lefkowitz, the Louisville Orchestra will introduce in-depth residencies during touring weeks, enhancing community involvement and educational opportunities. These residencies are designed to foster even closer ties with communities, facilitating meaningful interactions and collaborative initiatives. Funding will also allow for the purchase of a mobile stage, breaking down a barrier of access and providing the opportunity to reach even deeper into communities. The tour will continue to showcase local culture and musical heritage with Kentucky-born guest artists and performances scheduled in various regions of Kentucky, to be announced in May.

The focus will be on expanding musical outreach, deepening community connections, and delivering unforgettable experiences. The future tour schedule is thoughtfully crafted to include a mix of new and returning locations, ensuring that the Orchestra’s message of hope, joy, and unity reaches every corner of the Commonwealth. Through these visits, the Orchestra aims to reinforce established connections and forge new ones, celebrating Kentucky’s diverse cultural landscape through music.

Reflecting on the past tours, Music Director Teddy Abrams shared his excitement for the future, stating, “The past two years of touring the Commonwealth of Kentucky have been transformative and affirming for the Louisville Orchestra and for me as an artist. We believe that this work is the core function of a modern cultural institution, and it has become our dream to continue this program far into the future.”

The Louisville Orchestra invites all to be part of this ongoing musical journey. Details on concert dates, community engagement opportunities, and ways to support this vital initiative can be found at LouisvilleOrchestra.org/InHarmonyTour. Join us as we continue to harness the power of music to foster community cohesion, cultural appreciation, and a unified Kentucky.

Yuja Wang, Teddy Abrams, and The Louisville Orchestra Win First GRAMMY for The American Project

Louisville, KY (February 4, 2024) — The Louisville Orchestra, under the baton of Music Director Teddy Abrams, won the award for “Best Classical Instrumental Solo” at the 2024 GRAMMYs, showcasing their collaboration with world-renowned pianist Yuja Wang on her album The American Project. This landmark achievement was announced at today’s GRAMMY Awards ceremony, marking a significant milestone in the Orchestra’s illustrious history with its first ever GRAMMY win. The American Project was released on Deutsche Grammophon, the oldest and most prestigious classical record label in the world.

The American Project is an ambitious and innovative album that combines the rich musical heritage of America with the virtuosic talent of Yuja Wang, under the creative guidance of composer and conductor Teddy Abrams. This award-winning performance has been praised for its artistic excellence, innovation, and contribution to the classical music landscape. The Piano Concerto at the center of this album was written by Teddy Abrams for his Curtis classmate and close friend, Yuja Wang. Initially intended as a companion piece to Gershwin’s Rhapsody in Blue, the work evolved in scope during the composition process to become a masterpiece in its own right. The Piano Concerto is inspired by multiple musical stylistic sources and offers Yuja a singular virtuosic showcase of her unending talents.

“First, a huge congratulations to the incredible Yuja Wang, who soloed on this extraordinary album and is one of the most talented musicians in the world right now,” Abrams said during the Premiere Ceremony. “A giant congratulations to all of my colleagues at the Louisville Orchestra – an orchestra that is famous for its innovation, for putting out so many albums of living composers since it was founded in 1937. I am so proud of everyone at the orchestra, to the people of Louisville and to everybody that made this all happen. Thank you very, very much.”

Graham Parker, Chief Executive of the Louisville Orchestra, expressed his elation: “We are thrilled to have been a part of the 2024 GRAMMY Awards, and this win is a testament to the hard work, creativity, and passion of our musicians, staff and board. This accolade is a beacon of artistic achievement and recognition on the global stage. We are immensely proud of Teddy Abrams, Yuja Wang, and everyone involved in making The American Project a resounding success.”

The Louisville Orchestra’s Grammy win not only highlights the exceptional talent within the Orchestra but also reinforces its reputation as a leading force in the world of classical music. Starting in the 1940s with the First Edition Records, the Louisville Orchestra is one of the leading commissioners of orchestral new music, with over 500 commissions from such luminaries as Elliot Carter, Chou-Wen Chung, Alberto Ginastera, Witold Lutoslawski, and other 20th century luminaries. The Orchestra’s commitment to innovation, community engagement, and artistic excellence continues to resonate with audiences both locally and internationally.

This GRAMMY Award is a milestone in the Louisville Orchestra’s journey, and it paves the way for future artistic endeavors and collaborations. The Orchestra extends its heartfelt thanks to its supporters, patrons, and the Louisville community for their unwavering support. The commission of the Piano Concerto by Teddy Abrams for Yuja Wang was underwritten by a generous grant from Justus and Elizabeth Schlichting.

Graham Parker, Chief Executive of The Louisville Orchestra, (left) with Teddy Abrams, Music Director of The Louisville Orchestra.

Teddy Abrams, Music Director of The Louisville Orchestra, (left) with Rufus Wainwright, Canadian-American singer and songwriter.

Teddy Abrams, Music Director of The Louisville Orchestra (left) with Anne Akiko Meyers, American violinist.

The winning envelope.

Teddy Abrams, Music Director of The Louisville Orchestra, with the Grammy.

Teddy Abrams, Music Director of The Louisville Orchestra, (left) with and Lex Berko, 2024 Louisville Orchestra Creator Corps member.

Experience your Grammy-winning Louisville Orchestra firsthand!

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Berko’s December Update! – LOCC Blog

By Alex Berko
December 14, 2023

It’s probably the Midwesterner in me, but I love talking to people. I think that everyone has something to say and a lot of people have great stories to tell.

Over the past several weeks, I have had the privilege to spend time and hear stories from some very special people in Louisville. As part of my community engagement project here, I’ve been going into the J-Town Senior Center and Cochrane Elementary to talk with adults and kids about music and the creative process. We’ve been having a wonderful time and in the middle of January, I will present a new work that we co-created during these sessions.

Two weeks ago, I introduced the everyone to the art of composing. I did so through improvisation. Adlibbing is how I started composing and it’s a large part of how I still write today. In our session, I asked everyone to name a feeling and pair it with an animal. On the piano, I improvised a short piece that told the story of that animal. We got some fun ones: an active puppy, a lazy cat, and a sad butterfly. (The cat and the butterfly met, then they fought, and then the cat got hungry…)

The next stage of the project involved interviews with the kids and adults. The large question that began this whole thing for me was: How do we make sense of the world as we grow up? I devised several smaller questions to help me answer the larger one. Here’s a sample:

What makes you happy?

Who is your favorite person in the whole world?

What do you wonder about?

What do you love about yourself?

What are you grateful for?

What are you sorry for?

What do you believe in?

Last week, I asked these questions to the kids at Cochrane and the adults at the senior center and I recorded their responses. The answers are wonderful, sometimes surprising, and fully honest. I’ve included a very short clip below.

Next week, a string quartet comprised of Louisville Orchestra musicians will join me Cochrane and J-Town Senior Center to show off their instruments and improvise with me at the piano. I am so excited for the seniors and kids to have this time with these stellar musicians and see how we all work together to bring a new piece of music to life.

The final stage is for me to organize the interview footage and weave music throughout. I’ll then bring back what I have created to both the kids and seniors who will give final input before we publicly present the work at J-Town Senior Center on January 23rd.

The Louisville Orchestra Receives Grammy Nomination for Best Classical Instrumental Solo

The Louisville Orchestra is thrilled to announce their nomination for Best Classical Instrumental Solo at the 2024 GRAMMY Awards. The prestigious nomination recognizes their outstanding performance in “The American Project” alongside world-renowned pianist Yuja Wang and conductor Teddy Abrams.

The 66th GRAMMY Awards, also known as the 2024 GRAMMYs, will be held on Sunday, Feb. 4, at the esteemed Crypto.com Arena in Los Angeles. Music enthusiasts around the world can tune in to the live broadcast on the CBS Television Network from 8:00-11:30 PM, ET, or stream it on Paramount+.

The Louisville Orchestra’s remarkable collaboration with Yuja Wang and Teddy Abrams has garnered critical acclaim and now stands as a testament to their exceptional talent and dedication. Their performance in “The American Project” has captivated audiences with its innovative approach and breathtaking artistry.

Final Round Voting for the 2024 GRAMMYs will take place from Dec. 14, 2023, to Jan. 4, 2024. The winners will be announced during Music’s Biggest Night on Feb. 4, adding an extra layer of excitement to the event. The Louisville Orchestra, along with Yuja Wang and Teddy Abrams, eagerly awaits the final results, hoping to bring home the coveted award.

As one of the oldest continuously performing orchestras in the United States, the Louisville Orchestra has a rich history of pushing boundaries and embracing new musical frontiers. This Grammy nomination is a testament to their unwavering commitment to artistic excellence and their ability to captivate audiences with their exceptional performances.

“We are incredibly honored to be nominated for Best Classical Instrumental Solo at the 2024 GRAMMY Awards,” said Teddy Abrams, conductor of the Louisville Orchestra. “This nomination is a testament to the hard work and dedication of our talented musicians, as well as the incredible collaboration with Yuja Wang. We are grateful for the recognition and excited to represent the Louisville Orchestra on such a prestigious platform.”

The Louisville Orchestra continues to inspire and engage audiences through their innovative programming and world-class performances. This Grammy nomination further solidifies their position as a leading force in the classical music industry.

Work-In-Progress: Guitar Sounds – LOCC Blog

By Tanner Porter
December 11, 2023

Here in the LOCC, we’re already preparing for our Creators Corps concerts in May 2024,  which will feature premieres of new works by this year’s cohort. Ahead of the May concerts, the LO has offered us three days of “reading” rehearsals, which will take place in January. For these  “readings,” we’ve been encouraged to bring in works-in-progress, drafts of ideas, and older pieces we’d like to revisit—anything that will be of use to our writing processes and help the orchestra get better acquainted with our compositional voices. From there, we will be able to take what we’ve learned and continue full steam ahead in our writing processes.  

This work-in-progress “reading time” is, in my experience, quite unusual in a  professional orchestral session. Often, when a composer is hired for a commission, the rehearsal period comes just before the premiere of the piece, at which point the music is finalized, and any rehearsal is purely in service of getting the performance ready. Even in many educational institutions, if a student composer is lucky enough to be at a school where they are able to write for the university’s orchestra, there are rarely opportunities to hear incomplete works-in-progress. 

Needless to say, these early “reading” rehearsals are part of what makes the LO Creators  Corps residency unique. It’s a rare chance for the composer, orchestra, and conductor to get into the creative weeds together, to experiment with compositional ideas and orchestration in a still unfinished piece, to try things out that may or may not work, and to have direct conversations with each other in the process. 

The piece I’m writing for May 2024 is intended to be a song cycle, which I’m thrilled to be singing on (more on that soon!). It’s also a piece that will feature an electric guitar. I love the sounds that electric guitar and orchestra can make when mingled, a feeling I was reminded of during a beautiful performance of Lisa Bielawa’s piece “Home” on the LO’s tour earlier this Fall. 

I’m particularly excited about the potential mingling of electric guitar and percussion. For the January readings, I’ve written for Crotales and a few metal percussive instruments to be dipped in water. When you strike a Crotale, cymbal, or other metal instrument and then dip the still vibrating instrument in water, it can create strange, wonderful slides and echoes. I hope to combine this sound world with the e-bow on guitar, which can be used to make similarly haunting slides and effects. 

Orchestration is one of my favorite things. It’s total magic. Combining instruments to create new tonal pallets is one of the great joys of getting to work with the orchestra. I’m so excited to hear what kinds of sounds might emerge when you throw an electric guitar in the mix. During the readings, I look forward to having time with the LO to experiment with musical colors and to see if we can find something that both suits the storytelling of the song cycle and enhances the orchestration of the music. 

Watch as Tanner explores the many sounds of an electric guitar!

Nkeiru’s November Blog Entry – LOCC Blog

By Nkeiru Okoye
November 30, 2023

Blog entry. November

This month’s blog is dedicated to a person who made a recent concert, especially memorable.

He was tall. Standing a couple of feet away, he met my eyes, even with my 6-foot frame in three-inch heels. His silver-gray suit accentuated his hair and commanding presence. Now in his late 60s or early 70s, he’d been handsome in his prime.

“Excuse me,” the man said with a practiced smile intended to charm. Broadening his shoulders, he waited for my attention and approached. His message was important enough to linger while others scurried back into the hall for the second half, I wanted to hear it.

“I want to thank you personally,” he intoned, “for dressing appropriately for this evening’s concert. Many people come dressed as field hands.” His gaze shifted momentarily in the general direction of my companions. Thankfully, they had continued walking. A gray-haired woman stood by his side, ostensibly his wife. She smiled up at him, encouragingly, admiringly, positively beaming.

I blinked a few times. My conservative turtleneck sweater and knee-length vegan leather skirt were cultivated carefully to be neither over nor underdressed. An understated gold ring with multicolored gemstones worn on my index finger completed the ensemble.

While they fit in, my pecan brown complexion and mane of un-straightened tresses stand out at most symphony settings. I’d grown accustomed to the stares, but not insensitive comments. The White man in front of me clearly felt he was complimenting me, possibly elevating me above others of my race – or at least, what he thought of us. Neither he nor his wife understood how insulting he was being. Associating Black people with field hands evoked unwanted imagery of people who looked like me being enslaved.

My mind raced through any number of appropriate responses which would not result in an email of complaint. Smiling slightly, and speaking slowly, careful to enunciate each syllable, I responded.

“I am on staff here with the orchestra.” Identifying myself as one of the resident composers, I asked if he was a season ticket holder.

“Yes…” Spoken emphatically, his answer reflected pride at years of supporting the orchestra as an audience member.

“Wonderful. Then you must have been at the season opener concert. It started with my composition VOICES SHOUTING OUT…?”

The man’s skin reddened just slightly, as recognition set in. He’d seen Teddy Abrams introduce me in the very same auditorium, watched me introduce my music to the community. Eyes downcast, the man stammered

“I-I-I must have missed that one.” We both knew he was lying. He walked away, shoulders slumped.

That evening was full of firsts. Guest conductor JoAnn Falletta chose to end the concert with Ravel’s Bolero. It’s one of my favorite pieces in standard concert repertoire; and my first time seeing it live. I’d initiated the orchestra’s “Concert Buddies” initiative, aimed at engaging the community. Six beautiful Black women of all shades, sizes, and backgrounds accompanied me. For two of them, it was the first time attending an orchestra concert. I took them backstage to meet Maestra Falletta, who took a photo with us.

Despite the magical moments, the man in the gray suit is what I remember most. I want to believe that Bolero was worth the encounter. It is positively mesmerizing.

Louisville Orchestra Audience Conduct Policy

The Louisville Orchestra prioritizes a safe, respectful environment free from harassment or discrimination for everyone involved in our events, including staff, musicians, guest artists, and patrons. Harassment of any kind based on race, gender, sexual orientation, and other characteristics is strictly forbidden. This policy extends to all forms of interaction within our venues and events. Any disruptive behavior impacting the performance or experience of others will not be tolerated. Violators may face removal and prohibition from future events. We aim to foster a welcoming atmosphere and encourage all attendees and participants to embrace these values and help us maintain a positive and enriching environment for the diverse community we serve.

Berko’s November Update! – LOCC Blog

By Alex Berko
November 16, 2023

It is somehow November already! Wild how quickly things have gone and how I’ve settled into a routine with writing, researching for upcoming projects, and taking walks in Cherokee Park and Olmstead Conservancy with my wife and dog.

As we roll into the holidays, we’re nearing closer to the due date for an upcoming piece I am writing for the orchestra’s tour in February. Lately, when I’ve started a new project, I’ll make a playlist on Spotify to build a sort of “sonic landscape” that inspires me. My favorite part of this process is discovering and collecting new sounds and artists. It also turns out that the playlists rarely contain pieces with the same instrumentation as the ensemble for which I’m writing. (For example, if I’m writing a string quartet, I might collect folk or pop songs.) It’s a fun challenge for me to find the pulse in other styles of music that I love and figure out how to integrate them into my instrumental writing.

I’m still discovering what this exact tour piece will be, but I can tell you that folk music is very much at the forefront of my mind: I was very inspired by Chris Thile’s performance, and my playlist so far has some Punch Brothers and Nickel Creek in it. I’m also jamming to Pete Seeger, Aubrie Haynie, Sufjan Stevens, and Béla Fleck.

Here’s a link to the playlist if you want to check it out!

I also sent Gabe Lefkowitz a message letting him know that I was interested in learning more about fiddle playing and him and I are meeting this week to go over some of those tropes. I’m planning on recording him, putting that recording into Logic (the software I use to compose) and building some ideas from there. I love this collaborative way of working and I’m very grateful that I can be so close to the orchestra so that this type of writing can happen!

More soon,

Alex